Holy Guacamole (Delayed Gratification): Revisited and Improved

So I’ve decided to bring along some old and new food and booze pieces to Pancakes and Booze shows this fall in Austin, San Antonio and Houston. This one needs to be redone though.

Delayed Gratification taco time finished painting.

Delayed Gratification: Taco Time piece was done before I put much thought into layering levels. Also, while people were enjoying the familiar old praying men, they weren’t digging the clock so much. So I cut off the clock and made the men and their meal separated and ready for more to be added.

So then I asked myself, “Self, what could I add that will help make the piece more relatable”

I wanted something to better connect with viewers and make it generally a better piece. I contemplated on just what it could be the men are praying for. Ideas of abuelas and pin up waitresses were considered. But then keeping with the prayer theme, why not add a Mary in their shared “thought could” offering to theme he only thing that’s missing on their tacos? The best of all condiments and something that is becoming more and more expensive. Avocado! Something worthy of prayer. And who better to ask than Mary?

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Thorny Snoots and Cactus Fruits: Weird Shit Cows Eat

Making this for Pancakes and Booze shows this fall in Austin, San Antonio and Houston. The name of the show doesn’t mean in any way that I need to paint about food and booze, but it just so happens I do that a lot anyway. Well, why not make the first of my Prickly Pear Series incorporate a little delicious ice cream?

We all love the ice cream and go knows the prickly pear deserves respect for all it has done for the people that have inhabited this part of the world for so long. Here is an altar of sorts to them both. Let’s see how it come alive when I paint it.

But wait! An update…I thought cow heads to match the rams in Prickly Beers and Ram Tears would make some sense, and it really fixes the weird spaces created where the bowl and placemat intersect.

ADDED BONUS: having the candles overlapped by a painted element is an exciting new thing I haven’t done in these wall altar pieces.

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Fruity Beers and Ram Tears: Weird Shit Goats Eat

Making this for Pancakes and Booze shows this fall in Austin, San Antonio, and Houston. So if I was already doing a piece featuring Prickly Pear ice cream, it seems obvious that this show would need one about Prickly Pear beer as well.

I’m from the mid-west and when I first heard people ate cactuses I was all, “shut up!” Then the idea of them producing sweet tasty fruits was a shock as well. Now putting them in beer? Weird. Taking the better National Beer of Texas and mixing it with a fruity flavor is weird. It is a shock every time I taste it, but you know what? It works. So shut the hell up.

Now where can I find prickly pear colored candles!?

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Mimosas and Mea Culpas: Numbing Big Regrets From Last Night

Making this for Pancakes and Booze shows this fall in Austin, San Antonio, and Houston. Food and booze is kind of my wheel house and “Mimosas and Mea Culpas” features more breakfast moments…waking up full of regret and shame, filling up with more of the booze that got you there. The night crow and the morning jay representing your insatiable need to leave your consciousness despite your outward superficial efforts to show how grounded you are with your “live laugh love” coffee cup.

photoshop collage comp for future painting titled Mimosas and Mea Culpas
Mimosas and Mea Culpas: Photoshop collage comp.

In my work the magic of creativity can come at several stage of production. Accidents, surprises and the actual act of drawing, painting, cutting, shaping and assembling can bring complexity and history to a piece, but also as I formulate and plan the image, strange associations and random results of Google Image Searches can give rise to a composition I had never envisioned. This has never been truer than when I was coming up with this photoshop collage. Now I can begin to recreate it on my fence pickets.

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Virgin Butterworth: Revealing the Madonna Archetypes All Around Us

Making this for Pancakes and Booze shows this fall in Austin, San Antonio, and Houston.

Had a short list of virgins I wanted to do anyway. This was one of them. The showed vaulted this vague nugget of a concept to the front of the line.

So I found a picture of an old bottle of Mrs. Butterworth, changed her pose, adjusted the label and started surrounding her with religious tropes in the form of breakfast related imagery. The only think I had in mind was the bottle. Chance with Google image searches and random associations come together to create this comp that I now need to paint.

Update: above you see the latest version. Here is the earlier one. Luckily I realized that Mrs. Butterworth wasn’t virginal enough. I didn’t want to make her look like a Mary, but she did need to look more saintly than this:

Blessed Mother of Breakfast: Photoshop collage comp

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Prickly Pear Series: Cultural Significance of the Incredible Edible Cactus

Opuntia, commonly called prickly pear, is named for the Ancient Greek city of Opus, where, according to Theophrastus, an edible plant grew and could be propagated by rooting its leaves. Prickly pears are also known as nopal from the Nahuatl word nōpalli for the pads.

Wikipedia knows all the things.

As I ramped up my renewed, grown up, adult period of art making as Moe Profane, I knew I was going to try to neuter symbols of their significance by poking fun of them and their arbitrary power. Years later, looking back at what I had done, I realized that I had begun to treat sacred and mundane subject matter I was seeing and exposed it all as new kind of pop culture imagery. By juxtaposing it in ways that reflected South Texas Culture back at the locals through the eyes of and brain of a fascinated new comer, I took a sideways glance at it all, honoring their cultural beauty, laughing away any pretension, and highlighting some of the complexity of cultures that participated in their creation.

This has had me on the look out for things that define what is essentially Texan beyond the cliches, distilling subtle everyday objects into imagery that people will relate to. On a trip to Marfa earlier this year, I didn’t appreciate anything I saw as much as all of the prickly pear I saw growing everywhere. It’s modularity, it’s persistence and hardiness. It’s beautiful flowers and off-putting spines. How it defends itself even as it offers up nutritious tasty foods and medicinal applications. How it was used by indigenous people and how something so wild is still used to decorate our outside spaces.


People and Prickly Pears

There is an Aztec origin myth of some sort where the Aztec people had to leave where they lived and find a new place to build a city. They would know the right spot when the found an eagle perched upon a prickly pear cactus,  eating a snake. When they found that place, they named it “Tenochtitlàn”, meaning “place of the prickly pear cactus”.

The prickly pear has long been used in many ways. Indigenous people used the actual paddles of the plant to make juice used to treat burns. They also drank the juices to treat hepatitis. The pads, or nopales are filled with vitamins and calcium and were incorporated into their diet. Both the pads and the fruit still frequently appear in markets in Mexico and parts of the U.S.

In midsummer many different groups would converge on the area in southern Texas where prickly pear was ripening, and this was their favorite time of the year.

Symbolic Significance

Anything so culturally important will inevitably develop symbolic significance as well. The prickly pear and cactus in general is an obvious symbol of hope and endurance in harsh conditions. To many Native Americans, the yellow cactus flowers were a mother symbol representing a mother’s unconditional love and their patience and selfless protection.


Food and Medicine

A mother’s protective qualities were projected upon the cactus flower due to its medicinal properties. The pulp and juice was used to treat numerous wounds and sickness due to digestive inflammations.

The healing purposes of prickly pear and its use as a food has been know for centuries. Loaded with protein and vitamins, the prickly pear pads have been used to treat diabetes, stomach problems, cuts and bruises, sunburn, windburn, constipation, and cold symptoms. Folk remedies abound, such as the one that involves heating the pads and placing them on a cold sufferer’s chest to relieve congestion.

Churches and convents were coated in paint made with prickly pear after it was discovered in rural Mexico that could be used to make a highly effective waterproof paint for homes.

In rural areas prickly pear has been used as an effective way to mark property lines, as well as a protective barrier against predators, both animal and human.

The pads are often fed to dairy cows in Northern Mexico. The milk produced these cows is highly coveted.


We Still Love the Prickly Pear

The significance of the prickly pear is recognized still today as it is the Official State Plant of Texas.

WHEREAS, The State of Texas has traditionally recognized certain terrestrial forms indigenous to the state as official state symbols; and

WHEREAS, The bluebonnet, the pecan tree, and the mockingbird are examples of some natural specimens that serve to symbolize the rich diversity of the plains, forests, skies, and mountains of our vast state; and

WHEREAS, In keeping with this custom, the designation of the prickly pear cactus as the official state plant will provide suitable recognition for this hearty and beautiful denizen of the Texas landscape; and

WHEREAS, A native of the American Southwest and the Sonoran Desert region of Mexico, the prickly pear cactus provided nourishment to the earliest inhabitants of those regions, and both the sweet, fleshy fruit and the broad, flat stems were incorporated into tasty dishes; and

WHEREAS, Tunas, the prickly pear fruit, and nopales, which are made from the stem, have since become staples of the Mexican diet, and their growing popularity in Lone Star cuisine can be attributed to Texans’ appreciation for unusual and distinctive foods; and

WHEREAS, In recent years, the prickly pear cactus has been successfully exported and naturalized to tropical areas around the world, and it has proven to be a popular landscape choice for all who want to have a little bit of Texas in their own backyards; and

WHEREAS, This adaptable plant can survive under many different environmental conditions, and thus can be found from the hill country of Central Texas to the windswept plateaus and arid mountains of West Texas; because it thrives in a harsh climate that few plants can bear, the prickly pear cactus is often grown as forage for cattle and has had a tremendous positive impact on the vital Texas cattle industry; and

WHEREAS, Rugged, versatile, and uniquely beautiful, the prickly pear cactus has made numerous contributions to the landscape, cuisine, and character of the Lone Star State, and thus it is singularly qualified to represent the indomitable and proud Texas spirit as an official state symbol; now, therefore, be it

RESOLVED, That the 74th Legislature of the State of Texas hereby designate the prickly pear cactus as the official state plant of Texas.


So What Am I Gonna Do About It?

I researched, read about and wrote all this so I can appreciate all the way prickly pears have been used and what they have meant. By doing so I can understand what they mean to people today and better reflect that back to people in a way they may be able to identify with.

All of this has led me to come up with a list of ideas that could be just the start of a whole new series and defining addition to my subject matter and technique from now on…if I can maintain the focus to do so. 😬

These include brand new ideas and even the inspiration to revisit past concepts with an extra layer of meaning and visual complexity. People love a little visual complexity.

  • Ice cream: Blue bell, cows, cream,
  • Lone star: I have the idea of a cactus catching and holding various famous Texas brands that may be blowing in the wind. This is an obvious one.
  • Shiner: see above, only I like Shiner more.
  • Road signs: A way to incorporate specific places in Texas and highlight how widespread prickly pears are throughout the state.
  • Surf Texas: Wave and rig inside bull skull, Skeltons in hats in the eyes. Cactus growing up behind the skull, providing contrast of rugged scrubby Texas landscape with the tropical association of surfing.
  • Nudes in nature: only with prickly pears will assault the viewers’ psyches with the vulnerability of being naked around all those cactus needles.
  • Prickly pear and highway signs: evoke the memories of driving balls out across the flat expanse with old rusted road signs and cactuses zipping past.  
  • Prickly pear fiesta hat
  • Large modular prickly pear taking up a whole wall – Texas critters and litter of famous brands hidden inside. 
  • Run for the Border: An old idea I made with Trump holding a brick of cheddar cheese and a grater, showing his ignorance regarding the perceived threat he want to protect us from, standing behind a wall protected from negative stereotypes of Mexican Culture. Adding a prickly pear behind would provide visual complexity and a context for the other things to live in, but would also add a big of meaning from its connection with thriving in harsh environments
  • Art drank – prickly pear growing in big soda cup, with crushed monster and toppled jaeger: This may be too personal with myself being represented growing out of the cup after I’ve drank my art show lubricant – Jaeger and Monster Energy Drink
  • Free Range, Suburban, Urban Chickens (cactus in ground, in a flower bed, in a pot): Again, more complexity but the cactus’ and the chickens’ changing contexts will show the adaptability of them both

This is just the start. Now I need to start painting some damn nopales!

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Pancakes and Booze: Promising First Step into Austin Art Scene?

Batter sizzles, beer foams, and canvas lines the walls from ceiling to floor as hundreds, if not thousands, of revelers indulge in endless pancakes.

You had me at Pancakes and booze!

I like both of those things! AND since so much of my work already has food and booze at its subject matter, this is an event that was made especially for me.

So far I’ve been accepted to the shows in Austin, Oct 4 and Houston, Nov 15 but there will be on in San Antonio this December as well. Here are some of the works I already have along with more ideas I’ll be working on for these shows.

AVOCADO HAND: STIGMATA

11/2018 — 17.25″ x 21″

Acrylic, candles on used fence pickets.


TEJANA: HEIDI

02/2018 — 33.5″ x 34.5″

Acrylic on used fence pickets.


KEEP TACOS WEIRD

06/2016 — 43″ x 28″

Acrylic on used fence pickets.

  • Redo: Delayed Gratification – old men praying over tacos
  • Redo: Acrimony and Cheese – retro house wife flipping the bird over a crock pot full of cheese
  • Prickly Pear: Ice Cream – a vague idea about combining prickly pear cutout pieces and ice cream. Maybe growing out of an ice cream container
  • Prickly Pear: Shiner – a vaguer idea about combining prickly pear cutout pieces and Shiner beer. Growing out of an empty case…bottles scattered.
  • Mimosas and Mea Culpas – a not so vague idea but kind of still pretty vague featuring hung over woman or three gathered around, avoiding eye contact drinking mimosas at their brunch.
  • Butterworth virgin: I’ll manage to figure out what to do around a Mrs. Butterworth Virgin Mary idea.

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Revisiting Great Ideas: A Better Version of “Angel’s Share and Devil’s Cut”

This will be a redo of a poorly executed attempt from when I was first getting my profanity up on its legs. I don’t even have a photograph of the original.

It’s a clever idea, I just wasn’t killing it yet back in 2010, living alone in San Antonio, making art furiously for my first solo show back in Louisville, as I spent most of my time binge watching Lost and 24 and other shows I had never bothered watching. I can take this up with my present techniques and improved illustrating.

It’s all properly symmetrical and made up of simple layered shapes that can be cut out and stacked on a wall…outside the arbitrary rectangle I had them in before.

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Nihilism and Nanner Pudding: A Popular Favorite

2014 • 54.75″ x 31″
acrylic, spray paint on used fence pickets

The whole idea behind the concept of making paintings that highlight our use of food and the celebrations they’re tied to as a distraction to our existential angst came from a comment I made about art shows being essentially a “self doubt and cheese cubes” scene. So as I continue this series it is only fitting that I name my solo shows the same way.

My point of view often borders on the nihilistic, and this attitude often informs much of what motivates me to create imagery. That a show of mine would feature a heavy dose of this outlook is a safe bet and since this major work featured banana pudding, I knew I should serve some at the reception of the June, 2014 Moe Profane solo exhibition at Redbud in Houston.

Here we see the sad emo kid perked up a bit at the promise of some homemade nanner puddin. On his shirt is a fitting banana related nihilistic assertion credited to Mark Ruffalo describing acting.

This painting was sold and moved to New Orleans by its owner where it currently hangs proudly in her home.

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Schadenfreude and Shiner Bock: A Big, Weird, Daring Idea

2014 • 31.25″ x 55.5″
acrylic, spray paint on used fence pickets

Schadenfreude is a German expression meaning “to take pleasure in the misfortune of others.” You see three characters:

  • The hapless victim who is too caught up in feeling sorry for himself to fix the situation
  • The jerk who is satisfied and amused by the greater status he was able, with no effort of his own, to achieved relative to that of his friend
  • The opportunistic ram who takes advantage while the others are distracted

The audience can related to the feelings of both individuals in the piece. You can learn a lot about yourself by recognizing how you empathize with the one and relate to the satisfaction of the other. We’re all guilty of playing the victim roll and also enjoying the mishaps of others. This is what my work is meant to do, to make us aware of our motivations and influencers so we can learn to see them for what they are and take back control.

This piece was a bit of a hit. Those who got it, liked it a lot but it was probably too weird and oddly painted to connect with anyone on a level to inspire a purchase. Never mind how big it was. I destroyed it and it has been incorporated in other smaller pieces, scattered and covered up and spread out around South Texas. I will revisit this though someday and do it up right. With my new style of cutout layering of the fence pickets.

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