Acrimony and Cheese II – Revisited and Improved

Food and booze ideas, both old and new, seemed ideal for the Pancakes and Booze shows this fall in AustinSan Antonio and Houston. Here is another idea that I wanted to revisit.

Moe Profane Painting titled: Acrimony and cheese

This piece was always a hit…for 7 years now, and yet was always brought home after so many shows. It is big and expensive and let’s face it, I didn’t paint her very well. I’m not sure too many people realized it, but a few did. I think others just intuitively knew something was off about her face. I mean, I used to blow up the contrast of photos in order to capture the lights and darks of a figure and not worry so much about all the million gradations, allowing the image to blend with the textured background.

I always seem to fall back into a habit of trying to reproduce all the details of what I’m painting and some pieces just call for more concrete figures. In “Acrimony” the image of the lady I was referring to was crap and so…I reproduced it as crap. Also I wasn’t spending enough time honing my illustrated angels and devils.

I’m not sure why I was falling into that trap over and over. I just had this drive to go fast and didn’t give them enough attention. Slicker illustrations or even leaving them out altogether was the greatest opportunity for improvement over the years. I had already come a long way in a brief time when I made this piece, but I had a long way to go.

Redoing this idea is worth the effort and you can get an idea of how it will looks as a layered cut out piece. Nevermind that I’m leaving out the angel and devil. I think there is a place for them in specific types of work but I don’t need them everywhere. They aren’t exactly universally appreciated. It never hurts to mix things up and feel like I need to include a worn out bit in everything I do.

I’m taking the table from the original piece, cutting it out, adding a right side to it. I’ll be painting the rest from scratch…as there really isn’t anything else that doesn’t need to be improved upon. I still remember sitting and painting the portraits of the crock pot, brick of Velveta and its foil wrapper. I don’t want to do that again.

Progress pics on the way.

Here is an update to the original comp. I had realized that I didn’t have the bottom of the table in the original piece. Adding the right side with the Rotel would be easy enough but adding bottom wouldn’t work. So I needed to cut it off with a new visual element. Words are always fun! But any time you do something to a composition, it sends ripples across it throwing everything out of balance. I fixed this by losing the rooster trivet. I angled the curtains in to make them more dynamic and added a garland. Boom. Is it better or worse?

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Holy Guacamole (Delayed Gratification): Revisited and Improved

So I’ve decided to bring along some old and new food and booze pieces to Pancakes and Booze shows this fall in Austin, San Antonio and Houston. This one needs to be redone though.

Delayed Gratification taco time finished painting.

Delayed Gratification: Taco Time piece was done before I put much thought into layering levels. Also, while people were enjoying the familiar old praying men, they weren’t digging the clock so much. So I cut off the clock and made the men and their meal separated and ready for more to be added.

So then I asked myself, “Self, what could I add that will help make the piece more relatable”

I wanted something to better connect with viewers and make it generally a better piece. I contemplated on just what it could be the men are praying for. Ideas of abuelas and pin up waitresses were considered. But then keeping with the prayer theme, why not add a Mary in their shared “thought could” offering to theme he only thing that’s missing on their tacos? The best of all condiments and something that is becoming more and more expensive. Avocado! Something worthy of prayer. And who better to ask than Mary?

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Thorny Snoots and Cactus Fruits: Weird Shit Cows Eat

Making this for Pancakes and Booze shows this fall in Austin, San Antonio and Houston. The name of the show doesn’t mean in any way that I need to paint about food and booze, but it just so happens I do that a lot anyway. Well, why not make the first of my Prickly Pear Series incorporate a little delicious ice cream?

We all love the ice cream and go knows the prickly pear deserves respect for all it has done for the people that have inhabited this part of the world for so long. Here is an altar of sorts to them both. Let’s see how it come alive when I paint it.

But wait! An update…I thought cow heads to match the rams in Prickly Beers and Ram Tears would make some sense, and it really fixes the weird spaces created where the bowl and placemat intersect.

ADDED BONUS: having the candles overlapped by a painted element is an exciting new thing I haven’t done in these wall altar pieces.

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Mimosas and Mea Culpas: Numbing Big Regrets From Last Night

Making this for Pancakes and Booze shows this fall in Austin, San Antonio, and Houston. Food and booze is kind of my wheel house and “Mimosas and Mea Culpas” features more breakfast moments…waking up full of regret and shame, filling up with more of the booze that got you there. The night crow and the morning jay representing your insatiable need to leave your consciousness despite your outward superficial efforts to show how grounded you are with your “live laugh love” coffee cup.

photoshop collage comp for future painting titled Mimosas and Mea Culpas
Mimosas and Mea Culpas: Photoshop collage comp.

In my work the magic of creativity can come at several stage of production. Accidents, surprises and the actual act of drawing, painting, cutting, shaping and assembling can bring complexity and history to a piece, but also as I formulate and plan the image, strange associations and random results of Google Image Searches can give rise to a composition I had never envisioned. This has never been truer than when I was coming up with this photoshop collage. Now I can begin to recreate it on my fence pickets.

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Virgin Butterworth: Revealing the Madonna Archetypes All Around Us

Making this for Pancakes and Booze shows this fall in Austin, San Antonio, and Houston.

Had a short list of virgins I wanted to do anyway. This was one of them. The showed vaulted this vague nugget of a concept to the front of the line.

So I found a picture of an old bottle of Mrs. Butterworth, changed her pose, adjusted the label and started surrounding her with religious tropes in the form of breakfast related imagery. The only think I had in mind was the bottle. Chance with Google image searches and random associations come together to create this comp that I now need to paint.

Update: above you see the latest version. Here is the earlier one. Luckily I realized that Mrs. Butterworth wasn’t virginal enough. I didn’t want to make her look like a Mary, but she did need to look more saintly than this:

Blessed Mother of Breakfast: Photoshop collage comp

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Pancakes and Booze: Promising First Step into Austin Art Scene?

Batter sizzles, beer foams, and canvas lines the walls from ceiling to floor as hundreds, if not thousands, of revelers indulge in endless pancakes.

You had me at Pancakes and booze!

I like both of those things! AND since so much of my work already has food and booze at its subject matter, this is an event that was made especially for me.

So far I’ve been accepted to the shows in Austin, Oct 4 and Houston, Nov 15 but there will be on in San Antonio this December as well. Here are some of the works I already have along with more ideas I’ll be working on for these shows.

AVOCADO HAND: STIGMATA

11/2018 — 17.25″ x 21″

Acrylic, candles on used fence pickets.


TEJANA: HEIDI

02/2018 — 33.5″ x 34.5″

Acrylic on used fence pickets.


KEEP TACOS WEIRD

06/2016 — 43″ x 28″

Acrylic on used fence pickets.

  • Redo: Delayed Gratification – old men praying over tacos
  • Redo: Acrimony and Cheese – retro house wife flipping the bird over a crock pot full of cheese
  • Prickly Pear: Ice Cream – a vague idea about combining prickly pear cutout pieces and ice cream. Maybe growing out of an ice cream container
  • Prickly Pear: Shiner – a vaguer idea about combining prickly pear cutout pieces and Shiner beer. Growing out of an empty case…bottles scattered.
  • Mimosas and Mea Culpas – a not so vague idea but kind of still pretty vague featuring hung over woman or three gathered around, avoiding eye contact drinking mimosas at their brunch.
  • Butterworth virgin: I’ll manage to figure out what to do around a Mrs. Butterworth Virgin Mary idea.

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Nihilism and Nanner Pudding: A Popular Favorite

2014 • 54.75″ x 31″
acrylic, spray paint on used fence pickets

The whole idea behind the concept of making paintings that highlight our use of food and the celebrations they’re tied to as a distraction to our existential angst came from a comment I made about art shows being essentially a “self doubt and cheese cubes” scene. So as I continue this series it is only fitting that I name my solo shows the same way.

My point of view often borders on the nihilistic, and this attitude often informs much of what motivates me to create imagery. That a show of mine would feature a heavy dose of this outlook is a safe bet and since this major work featured banana pudding, I knew I should serve some at the reception of the June, 2014 Moe Profane solo exhibition at Redbud in Houston.

Here we see the sad emo kid perked up a bit at the promise of some homemade nanner puddin. On his shirt is a fitting banana related nihilistic assertion credited to Mark Ruffalo describing acting.

This painting was sold and moved to New Orleans by its owner where it currently hangs proudly in her home.

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Middle Path and Pickled Peppers: Remarkable Moderation, Avoiding Extremes

2013 • 33″ x 42.5″
acrylic, spray paint on used fence pickets

This is a second attempt at portraying the Buddha bottling up the extremes of good and evil, maintaining The Middle Way:

The Middle Way…implies a balanced approach to life and the regulation of one’s impulses and behavior, close to Aristotle’s idea of the “golden mean” whereby “every virtue is a mean between two extremes, each of which is a vice.

I added alliteration and food reference to make it even more fun. Incorporating the pepper imagery with the Buddha allow me to make this piece look like a product label or old sign graphic. Medium strength peppers reference the spicing up life with just a little kick but not enough to make your scalp sweat.

Next up perhaps is a piece about Aristotle and The Golden Mean:

In philosophy, especially that of Aristotle, the golden mean is the desirable middle between two extremes, one of excess and the other of deficiency. For example courage, a virtue, if taken to excess would manifest as recklessness and if deficient as cowardice.

Socrates teaches that a man “must know how to choose the mean and avoid the extremes on either side, as far as possible”.

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White Jeezus and Waffl Fryz: The Ultimate Combination

2013 • 55″ x 33″
acrylic, spray paint on used fence pickets

I have long had issues with to Chick-fil-a. First because in the early days, it was only available in malls, and fuck going to malls. Then I found out that they were not open on Sunday. Sunday is just an arbitrarily chosen day that is different than the day the Jews observed. Why even bother? Fuck them. They would have me not able to buy chicken on Sunday exactly as I can’t buy liquor. Only later did all that anti-gay legislation stuff come out. That was just the icing on the cake and not even the subject of this piece specifically.

Because I associate such irrational fundamentalism with the egocentric worship of a mythical, blonde haired, blue eyed, virgin born god-man from the middle east, I chose to show the Chick-fil-a mascot cow proselytizing this naive belief, similar to the done-to-death ads with childlike cow writing used to promote eating more chicken. And of course what do they do while selling us their version of Christianity? They offer waffle fries on the side.

What would White Jesus eat?

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Time For Revisiting Less Successful Work

Deadlines are great. They make me more productive than any creative itch possibly can. The trouble is that getting into a rush prevents me from stopping to really look at a piece as the idea is developed and guide it toward a more pleasing conclusion. The good news is that you now have a work that can be revisited and edited and made anew for the next show.

This is what I’m currently doing with “Our Lady of the Lawn” completed back in February 2013 for a show I had 3 weeks to prepare for.

“Lady of the Lawn” 2013

This is the initial draft from which I was working.

Perhaps the saturation of colors and differences in tones makes the digital sketch hold up better, but the final product had no well defined focal point. The flamingos rather than being benign plastic static guardians of our holy mother in her bathtub shrine, are competing visually with her, the focal point. I believe they have a role in a more symmetrical composition, but with this asymmetrical set up, they just make the whole thing lopsided.

Then there is the argument for simplicity. I have been advised to distill my imagery even more, to stop slowing people down with arcane, personal symbolism and feature more the imagery that supports the intended emotional focus of the piece. I’m not sure if I agree with that completely but it is something to consider. Do I force the additional kitsch value of the flamingos to highlight the absurdity of decorating your hard with shrines to a virginal vessel of God’s seed? Or, do I allow the angel and devil to express their distaste, the pilgrim gnomes and the typography do so nearly as effectively without knocking the composition off kilter?

I guess not.

Last night I started sanding off the flamingos. Then I realized the orientation of the text will need to be adjusted and perhaps the rays of light accentuated.

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